Thursday, April 19, 2018

Freak Genes - Qwak Qwak

Well that didn't take very long! Less than 10 months after the release of their brilliant debut album Playtime, Freak Genes are back with another long player that will disappoint absolutely no one! Out on Drunken Sailor Records, Qwak Qwak picks up where Playtime left off and quickly surpasses it. The men behind the masks, of course, are Andrew Anderson (The Hipshakes, Proto Idiot) and Charlie Murphy (Red Cords). Freak Genes began with a fun premise: what would happen if these two guys took some of the crazy, rejected ideas from their other groups and made a whole new band out of it? What happened was one of the best punk albums of 2017 or any recent year for that matter. Qwak Qwak still finds Freak Genes straddling the quirky/experimental and poppy sides of early U.K. punk. But the real advancement here is the introduction of synthesizers and drum machines to the duo's arsenal. Limited only by their own imaginations, Andrew and Charlie flutter between punk, new wave, synth-pop, garage rock, and post-punk over the course of 17 filler-free tracks.

If you enjoyed the Wire meets early Buzzcocks vibe that was so prevalent on Playtime, the first two songs "At Odds With You" and "On The TV" will quickly have you on board with Qwak Qwak. The latter is surely one of the most essential punk tracks of the year. But there was no way a band with Freak Genes' origins was ever going to allow itself to become predictable. With this record, you never quite know what's coming. These guys prove so adept at synth-pop that I would absolutely have believed that "Give Way" and "Read The Papers" were original recordings from 1980. "Destroy" sets aside the band's usual playful disposition and goes full-on scary future post-punk. "Layers", on the other hand, is delightful Kinks/Who derived pop that will have you whistling on your way to work. And then there's the wonderful "Talk 2" - which sounds like a song Robyn Hitchcock would write to play at a bar in the Florida Keys.

One spin through Qwak Qwak will suggest influences as disparate as Syd Barrett ("Anonymous"), Gary Numan ("We Want Trouble"), and Devo ("It's Not There"). And there are certainly tracks ("Not Quite Enough", "Drainage") that bring to mind Andrew and Charlie's other bands. What's remarkable is how well the whole thing flows. It's weird to say this about a band that is only on its second record, but the one thing that's consistent throughout 17 tracks is that it all sounds like Freak Genes! These are two extremely talented individuals, and their chemistry is undeniable. Their willingness to entertain almost any musical idea is what makes them unique. Their ability to do so while still aspiring to write great pop songs is what makes them exceptional. I look forward to their next 20 albums!



-L.R.

https://drunkensailorrecords.bandcamp.com/album/qwak-qwak-lp 
http://www.drunkensailorrecords.co.uk/products/615875-freak-genes-qwak-qwak-lp-drunken-sailor-records-drunkensailor-089 
https://www.facebook.com/thefreakgenes/ 
https://www.facebook.com/DrunkenSailorRecords 

Tuesday, April 17, 2018

ANMLS - self titled LP


Man, there's nothing that gets the blood flowing quite like a great hardcore punk long player! It has been a good while since I've heard a hardcore record as thrillingly ripping as the 10-song debut from Santiago, Chile's ANMLS. Straight-up, this album hits you in the mouth. And I LOVE it! These guys are clearly huge fans of Black Flag - both the early ("No Quiero Estar Contigo", "Vamonos de la Ciudad") and later ("Instrumental", "Mierda") eras. But there's a lot more to ANMLS than that. "Canto en el Infierno" and "Pacos" integrate surfy SoCal punk influences, while "Odio" brings to mind the darker melodic strains of modern-day Scandinavian hardcore. Any way you shake it, this an absolute monster of a record. The tunes are killer, and the band powers through each one with a ferocity that's off the charts. And with mastering by the almighty Tim Warren, you know this thing is primed to test the capacities of your volume knob! All of the lyrics are in Spanish - largely delivered in the gang vocal style. Does having no idea what they're saying lessen my enjoyment? Not in the slightest! A co-release between Slovenly Recordings and Algo Records, this debut from ANMLS is an essential purchase for fans of old school hardcore, fast n' tough garage-punk, political dissent, and all of the above. A+!



-L.R.

https://slovenly.bandcamp.com/album/anmls-anmls-lp 
https://www.facebook.com/anmlsoficial/ 
https://www.facebook.com/slovenlyrec/ 
https://www.slovenly.com/ 
http://algorecords.com/ 
https://es-la.facebook.com/Algorecords/ 

Monday, April 16, 2018

Melted - Thin Skin


Hailing from Long Beach, Melted takes me back to the 1990s heyday of Southern Californian melodic punk. That sub-genre has always been hit or miss for me, but in the case of Melted it definitely hits! The trio's new album Thin Skin is a co-release between the legendary Stardumb Records and four other labels (Programme Sounds, Open Door Records, Celebrity Punkhouse, and Astro Lizard Records). This is a different kind of release for Stardumb. It reminds me of something I would have mail-ordered from Dr. Strange Records in 1994! The band's sound is catchy and energetic in that familiar SoCal way, but it also packs one hell of a punch. Jonny Bell's stellar production cranks the guitars way up and achieves an ideal mix of aggression and melody. I like that the band's stated influences (e.g. Jawbreaker, Descendents) make sense but aren't entirely obvious from listening to the record. Melted is known for the frenzied energy of its live shows, and that genuinely comes through on the album. I'm envisioning a room full of kids going nuts while the band members frantically jump around and drive themselves to exhaustion. Singer/guitarist Justin Eckley has a somewhat familiar vocal style for this type of band, but it's the conviction of his delivery that really stands out. He absolutely pours his heart into every song - always saving a little extra for that climactic sing-along moment. 

One thing that works so well for Thin Skin is that Melted is really adept at switching things up. Songs like "Most Days" and "Alright" are textbook SoCal pop-core, but then these guys can turn around and absolutely rock your face off ("Stay Away", "Thin Skin"). And then on a slower song like "Low", the band even shows some Weezer-ish qualities. I would cite "Low" as one of the standout tracks on the record.

Thin Skin was an album several years in the making, and it successfully highlights Melted's songwriting maturation while still kicking a whole lot of ass. Stardumb will be sending the band to Europe for a tour later this year. Given the well-documented enthusiasm of European crowds, I'd say those shows are gonna be a blast!



-L.R.

https://www.facebook.com/meltedca/ 
https://meltedca.bandcamp.com/ 
https://www.stardumbrecords.com/products/melted-thin-skin-lp 
http://www.opendoorrecords.org/products/610855-melted-thin-skin-lp-preorder-links-in-description 
https://www.facebook.com/stardumbrecords/ 
https://www.facebook.com/OpenDoorRecords 

Thursday, April 12, 2018

Civic - New Vietnam

How about another killer band from Australia! And when I say killer, I mean KILLER! Hailing from Melbourne, Civic picks up the Dead Boys/Saints torch and burns down everything in its path. You may know some of these individuals from their turns in groups such as Leather Lickers, A.D. Skinner, Drug Sweat, Pregnancy Scares, Whipper, and Cuntz. On its debut 12" New Vietnam, Civic comes hard with seven blistering cuts mixing the timeless style of '70s punk with the wildfire aggression of Detroit rock. The influences are obvious, but who cares?! This is old school punk rock n' roll done right! If you appreciate ripping leads, pummeling riffs, hard-hitting drums, and a singer who can really holler, this is definitely the band for you. I love how everything sounds so raw and loud! They really managed to get that "live" energy captured on tape. The opening 1-2 punch of "Nuclear Son" and the title track will rock you into next week, and the band's attack doesn't really slow from there (except on the Lou Reed inspired "Street Machine Dream", which I totally dig). I'm left wanting more, which is exactly the way it should be on a punk band's debut release. Truly hot stuff! New Vietnam is available on vinyl and CD from the Aussie label Anti Fade. Get the 12" while you can!



-L.R.

https://antifaderecords.bandcamp.com/album/new-vietnam-12-ep 
https://www.facebook.com/antifaderecords/ 

Wednesday, April 11, 2018

Wild Wings - Showbizzz

Wild Wings, northeastern Ohio's reigning champions of psychedelic, art-damaged, post-apocalyptic space punk, are back with their second full-length album. Showbizzz is the band's first release since 2015's World War Wild Wings, and it's nothing short of a tour de force. Over the course of a full album and sometimes just a single track, Wild Wings can fluctuate between spastic thrash, thundering grunge, bruising noise rock, archetypal Midwestern punk, and way out-there sonic experimentation. A laboratory analysis of Wild Wings' musical DNA would reveal ancestral connections to everyone from Chrome to Blue Cheer to The Pagans to Sonic Youth to Hawkwind to Devo to Black Flag. You'd have to travel six galaxies over to find anything close to a comparable band, and what's even better is that all of this genuinely works! Singer/guitarist Kenny Halbert's compositions are full of unique ideas and unconventional turns, yet every song is brilliantly constructed and perfectly executed. Every risk brings a reward. And even with all of the avant garde tendencies, this is still very much a punk rock record in every way that really matters. Really, this album had me with the opening song title "Hamburger Ice Cream". I'd order that flavor any day of the week! But it only gets better from there. "Failed Design For Living" is the sonic experience of the year: like what would happen if you were listening to a long-lost Killed By Death cut, and an alien species suddenly broke in with a ten-minute transmission from a quadrillion light years away. This is just one of those albums that will have going from "What the fuck IS this?" to "This is the best thing ever!" in very short order. Grab some headphones, load up on your mind-altering substance of choice, and prepare yourself for a musical trip to an unknown dimension (or Youngstown, Ohio...same difference). Showbizzz is available on CD and cassette, and you can order it here


-L.R.

https://www.facebook.com/WildWings69/ 
https://wildwings.bandcamp.com/music 
http://lionscarerecordings.com/ 

Friday, April 6, 2018

The Cavemen - Nuke Earth

Can you believe I made it through the first three months of 2018 without talking up a single release as a potential album of the year? That is so unlike me! But that all changes today. Nuke Earth, the phenomenal third LP from New Zealand miscreants The Cavemen, is out on Slovenly Recordings. The bar for punk rock albums in 2018 has definitely been set!

This year got off to a great start with singles, but I was still waiting for a full-length record to really make an impression on me. Well Nuke Earth more than made an impression - it just about knocked my head off! This is absolutely the full-force garage-punk rock n' roll kick in the teeth I've been craving. And while that's not particularly surprising given the quality of The Cavemen's prior recorded output, they have really blown me away with this particular batch of songs. The band sounds as savage and scuzzy as ever, with frontman Paul screaming his guts out while his band-mates gleefully pound your eardrums into submission. Kicking off with the storming 1-2 punch of "Lust For Evil" and "Criminal Love", The Cavemen come out raring to flatten anything in their way! They could have padded the rest of the album with xylophone instrumentals and Right Said Fred covers, and it still would have been an essential purchase. But beginning with the third track, "Janey", the album shows off a side of The Cavemen that often goes unappreciated. While still as boisterous and frenzied as a Cavemen tune ought to be, this one is downright catchy! The band's love for '50s rock n' roll really comes through, and you might want to check yourself for a pulse if you're not singing (or more likely screaming) along by the close of the first chorus. This, my friends, is a genuinely great rock n' roll song. So if it hasn't been said before, let it be said now: The Cavemen are damn fine songwriters! And throughout this album, they skillfully mix up musical styles to avoid the "sameness" that can sometimes afflict rowdy punk n' roll records. "Batshit Crazy" brings to mind a '60s garage rock party if it took a highly demented and severely drug-addled turn. "Concrete Town" is punk rock n' roll so dirty and vicious that you'll swear the '90s never ended. "The Night Jimmy Savile Died" comes on with a dirgy, Stooges-like intro, then erupts into a blaze of pounding, maniacal fury. "Elvis Is Alive" sounds like the best song The Replacements left off of Stink. "Don't Wanna Hang" could easily have come out on Rip Off Records in 1995. The psychobilly-ish "Gimme Beer Or Gimme Death" beautifully articulates my primary philosophy of existence.

Aren't most bands supposed to be in their "mature" phase by the time they make their third album? Thank god that's not the case with The Cavemen! In terms of ferocity and pure wild fun, Nuke Earth is right there with its two predecessors. If this release doesn't immediately compel you to engage in dangerous and possibly illegal activities, you probably need to turn up the volume louder. But The Cavemen have far more going for them than just unsavory reputations and an unquenchable thirst for mayhem. They have songs too. Nuke Earth is all hits and no shit! Avoid at all costs if you can't handle some real rock n' roll!



-L.R.

https://slovenly.bandcamp.com/album/the-cavemen-nuke-earth-lp 
https://thecavemennz.bandcamp.com/ 
https://www.facebook.com/thecavemennz 
https://www.slovenly.com/ 
https://www.facebook.com/slovenlyrec/ 

Wednesday, April 4, 2018

Dany Laj and The Looks - Left To Right One

We have a brand-new single from Dany Laj and The Looks, and I am loving it! Dany, Jeanette, and company have been touring all over and turning out some of the finest power pop in the land for quite a few years now. Released just in time for the arrival of spring, "Left To Right One" is a high-energy, life-affirming rocker that's tailor-made for singing along loudly in your car with the windows down. It's both a feelgood love song (the best kind in my opinion!) and an exuberant celebration of a life devoted to rock n' roll. Recorded at The Midwest Sound in Rockford, Illinois by Jeremy Koester and Dan McMahon, this track damn sure puts the power in power pop! A vinyl release is coming next month in the form of a split with Pink Beam. In the meantime, the digital version is available now for just $1. That's gotta be the best dollar you'll spend all year! Dany Laj and The Looks will be touring this spring with quite a few shows in the U.S., so be sure to check out the band's Facebook page for more info! It will make my day if someone pulls up next to me at a stoplight sometime and they're cranking  "Left To Right One" at full blast. Let's see if we can make that happen!



-L.R.

https://danylaj.bandcamp.com/track/left-right-to-one 
http://danylaj.com/ 
https://www.facebook.com/danylaj/